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POD Ultra-Limited Edition

2007 | Projekt | PRO00195L

CD + Box

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Tracks:
  1. POD One | MP3 Clip
  2. POD Two | MP3 Clip
  3. POD Three | MP3 Clip
  4. POD Four | MP3 Clip
  5. POD Five | MP3 Clip
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As Lonely As Dave Bowman
POD (Sam of black tape for a blue girl) ~ 3 for $20


Roach, Steve
Kairos DVD+CD

Sorry, This item is all sold. This page is for archival purposes.
You can order the equally lovely standard Digi-pak edition.

Electronic release from Projekt and black tape for a blue girl founder Sam Rosenthal.

Limited Edition of Roughly 400
POD was released in early 2007 as a DVD-sized digi-pak in a limited hand-numbered first edition that was suppose to be 900, but because of snafus at the pressing plant, ended up being around 400. These were sold through by the end of May 2007.


There was also an Ultra-limited edition of only 36 copies: The DVD-sized digipak inside a blue plexiglass box, custom-made right here in Brooklyn.

Click for larger image:

SAM. AGE: 40.88. MUSIC. DESIGN.
SASHA. AGE: 3.71. COVER PHOTOGRAPHY.


POD brings a new and chilling element to the ambient music genre known as drone. Inspired by the vast isolation of cold, dark space, the absence of human civilization, and the texture of pure sound, there is a curiosity and fascination with those forces that leads to discovery. As Lonely as Dave Bowman becomes a pioneer in the next stage of ambient drone.

With a chillingly isolated core of sound that detaches and draws back into itself like droplets of mercury, POD crafts a singular sound of metaphoric loneliness that is not just a strand that drifts through space but is an enveloping, permeating cloud. It travels in an infinite trajectory, exploring the realm of the unknown as if a breathing entity, expanding and contracting into eternity. It eventually evolves into a robotic drone, a swarm of emotion and memory.

As Lonely as Dave Bowman is an electronic space music deep-ambient side-project from Sam Rosenthal, Projekt and black tape for a blue girl founder. The images came first. Sam's young son Sasha took the photos one afternoon while playing with Sam's camera. Noticing they were striking enough to be an album cover, Sam decided to create a musical world to compliment the amorphous look the photos captured. Inspired by Sasha's love for the films 2001: A Space Odyssey and 2010: The Year We Make Contact, Sam worked in the studio in new and organic ways. Forsaking his usual melodic and lyrical approach to song-writing, he quickly developed musical pieces that are principally texture and spacial landscapes, created from a meaningful flow of synthetically produced loops and old-fashioned outboard effects.

Is the limitless expanse of space outside the realm of the planet Earth a selective environment for life or is it a cold, dark vacuum that leaves only unimagined emptiness in its wake? Will long periods of separation from humanity support the explorer or will it birth a long, never-ending core of loneliness with tendrils that reach Earth, wrapping its inhabitants in despair and uncertainty? POD provides shape and essence to these philosophical questions that permeate our thinking selves with unanswerable possibilities. The sound ponders the moment and the eternity that extends beyond it, developing a continuous flow that goes on forever in swells and ebbs like an ocean of time.

(THE REAL DAVE BOWMAN)


A review from E/I:
Projekt prime minister Sam Rosenthal shucks his Black Tape for a Blue Girl goth melancholies for an equally forlorn side project of ambient/drone miasma. Actually, this is a most welcome return to “form,” as Rosenthal hasn’t been seen travelling down this road since his 1992 collaboration with Vidna Obmana under the moniker Terrace of Memories. That particular outing made much of sepulchral fog and post-industrial-blasted fug, but on this go-round, Rosenthal’s convinced space is the place. Well, the antecedents are obvious, from the 2001 iconography (Rosenthal states that the recording was inspired both by the titular film character and his infant son’s fascination with the film’s imagery, who also—quite precociously, I assume—accidentally captured the solar radiation flanges used for the digipak’s cover) to the work of numerous colleagues the artist champions on his label (Roach, the aforementioned Vidna). As a “literal” interpretation of the events that surely took place post-2001 and pre-2010, Pod is a determinedly stark and visceral aural portrait of a man caught in stasis, trapped in vacuum, lost in time forever. As isolationist music, the five tracks herein—loops composed of electronic dark matter and what must be the residual cries of distant quasars pulsating endlessly in the void—are every bit as searing as Lull or Lustmord’s horizon-bending epics. Of course, listening to this it’s easy to instantly call up a virtual font of folks who’ve built entire careers nestling comfortably on the well-worn upholstery adorning such thrones of drones (Oophoi, Mathias Grassow, Troum, denizens of labels such as Cyclic Law and Mystery Sea), reciting similarly elongated paeans to minimal sound discourse like some ancestral mantra. Despite this (or, perhaps, in spite of it), it’s difficult not to fully admire Rosenthal’s sterling contribution to the canon. Cursory listening allows the subtly shifting patina to narcotically massage the brain; deeper listening, wherein the music’s subliminal layers reveal themselves and methodically blossom, exact multitudes of pale sonic hues that drift, suspended, in the mid-range. The hues themselves trick the senses—does the ear detect respectfully rubbed samples of Jerry Goldsmith’s 2010 score occasionally irising out of the mix, or are they just ghostly, half-remembered echoes? Like the subject matter it refers to, Pod’s tactile, ethereal slipstream makes analogous the soundtrack for alien shamen guiding terrestrial souls from this mortal coil. -DARREN BERGSTEIN

A review from Liar Society:
POD's As Lonely as Dave Bowman reminds me of the Halloween I spent at Whitby in England. Specifically: walking along the cliffs, listening to the crash of the waves as they broke across the shore at night. As Lonely as Dave Bowman has the same sort of feeling to it; comprised of lengthy tracks of electronic ambient texture, the album ebbs and flows without cessation. Minimal, yet moving. Massive, yet with deep subtly. Though I know that POD's focus here is on the vast limitlessness of space (Dave Bowman is a character in the Space Odyssey films), I just can't shake the terrestrial memories this dredges up. It reminds me of a perfect, dark time, left behind, never to be reclaimed. 4 out of 5 stars. -Jack

A review from Music TAP:
Inspired by a photograph by a young child and the integral core of the Space Odyssey series (Kubrick/Hyams), the concept of As Lonely As Dave Bowman was birthed. In the film, the central character, Dave Bowman endured the deconstruction/reconstruction of life and philosophies, within his space travel. Within the period of time that the story unfolds, dramatic and profound occurrences enveloped the man, changing him in the process. POD takes that profundity and composes a soundtrack of many sides. In short, As Lonely As Dave Bowman becomes a story of its own.

Ambient music is a miracle in many ways. It isn’t subservient to a chord or central riff. Instead, it is allowed to flow in many directions, creating vast empires of thought and imaginings. The emergent style of ambient music called drone is a repetitious flow of sound that changes subtly, oftentimes in several directions at once. Thus the power of drone music to change mood and create atmosphere is unmatched over the time span of the recording. As such, fans of ambient music are immersed in music that allows one the ability to absorb and transform.

As Lonely As Dave Bowman is an album of soft, flowing musical ideas that move through time like a tether attached to a beginning. Just as Dave Bowman moved through the many points of his journeys, so are you attached to and absorbed by a contemplative and steady stream of core drone music that simply traverses space without a focal point. As Lonely As Dave Bowman is divided musically by 5 tracks, simply titled “One,” “Two,” “Three,” “Four,” and “Five.” However, those five tracks connect quite well over the course of the 65-minute album, never completely breaking off to pursue another sound, instead following the core all the way through.

If you can imagine the immensity of the philosophical barrage that faced Dave Bowman over the course of the Space Odyssey films, as he was re-invented from his experiences, drowned in his loneliness, and swallowed by thoughts and spirituality that no man before him has experienced, then you get an idea of the immersive flow of As Lonely As Dave Bowman.

Ambient music is definitely not for everyone. But if you have an affinity for ambient music, particularly drone, then POD’s As Lonely As Dave Bowman is a superior stream for your meditative side. With the focused eye of a child (featured as the photographic cover of the album) transformed into the evocative and challenging music of an adult, art is as pure as it can get. Note: There are three versions of this album, two of which are and will be available. The first is the standard CD copy in digipak packaging. The remaining version is a 200-piece Limited Edition, numbered album encased in a large, DVD-sized digipak. The third is an "Ultra-Rare" version, now sold out. It is distinguished by a hard blue plexiglass slipcase protecting the DVD-sized digipak packaging. This collector's edition will not be repeated - and was only created in an edition of 50. Rating: 4 out of 5 stars. -Matt Rowe


Other Albums by This Artist
  1. POD (Sam of black tape for a blue girl) ~ 3 for $20 CD (Projekt, 2007)
Merchandise by This Artist None at this time.